FREEDOM
I love and understand
DOCUMENTARY
Franz, the bass player, and Wojtek Namaczyński, the drummer of the legendary band “Chłopcy z Placu Broni”, find themselves at a crossroads after the tragic death of their frontman, Bogdan Łyszkiewicz. Years later, the band is slowly being reborn, timidly returning to the stage that was once their place of glory.
Franz, the bassist, and Wojtek Namaczyński, the drummer of the legendary band “Chłopcy z Placu Broni”, find themselves at a crossroads after the tragic death of their frontman, Bogdan Łyszkiewicz. After years of silence, the band slowly begins to revive, tentatively returning to the stage that was once their place of glory.
Together, they embark on a soul-stirring journey through the vibrant Polish rock scene of the 1980s and 1990s. It is not only a physical path but also a profound emotional pilgrimage in the footsteps of those who shaped their music and memories. Along this road, filled with reflections and recollections, they are accompanied by a film crew and fellow band members. Meetings with musicians who once shared the stage with “Chłopcy” evoke the spirit of that era and remind us of the power of music, adding to the collective memory of Bogdan Łyszkiewicz. Each person sees the same story differently. Conversations touch not only on Bogdan but also on the broader history of those times. Every participant brings their own memories and anecdotes. Each of them is a significant figure of the rock music scene of that era. At a certain point, the narrative takes on a new dimension — the band makes the decision to record entirely new songs for the first time since Bogdan’s passing. This symbolic step becomes a turning point.
The process of composing and recording is an act of courage: confronting the past, facing the pain of loss, but also expressing hope and the need for creative rebirth. In the studio, new music emerges — not as an attempt to replace Bogdan, but as a tribute to him and a testimony to the band’s growth. “Chłopcy z Placu Broni” rediscover the energy to step beyond the shadow of their former successes. Their work becomes a bridge between past and future, proof that music still lives on and continues to carry freedom, hope, and a sense of community.
Director’s notes
In this poignant narrative, we delve into the soul of Franz, bassist of the iconic ‘Boys from the Weapon Square’. Our story begins with a profound loss, the tragic death of frontman Bogdan Lyszkiewicz, a pivotal moment that shook their musical journey. Bogdan was the head and heart of the band and Franz became his musical brother.
I met Franz at the beginning of Pandemic when I was doing a series of film concerts then without an audience. This was the beginning of our collaboration – I made several music videos for his new project (official selections of several festivals). As happens at such times, after the set we had a chat together.
It was then that I realised I was talking to the living history of Polish rock. And this leads to only one conclusion – we need to make a documentary. It turns out that Bogdan Łyszkiewicz was a unique figure, and at that time, at the dawn of the 1980s, history was being made, the music market as we know it now, and figures whose brilliance shines through to this day. There were 15,000 spectators at the January concert in Krakow.
Being an insider’s crew, so to speak, we have good access to the most important figures, and our conversations tend to be more open than usual in such cases.
As our characters are “nocturnal animals”, the cinematography is shot in low key with saturated colours. Enriched with lights in the background. The entire film is shot in 4K widescreen 2.39:1 and the archive images are technically processed to increase the resolution and quality of the material.
5.1 sound and stereo version, of course under the supervision of the musicians; we work with people who, for example, can tell by ear the difference between regular and oil percussion tension.
The realisation team was formed on the concert set. Paweł Ulatowski my third eye, an extremely poised detailer. Magdalena Stepkowska person who have been my anchor on earth for years and many music videos and films realised together.
Director.
Crew
Sergiusz Wasilewski
A film maker, cinematographer, always been curious of new discoveries, technologies, ideas. He created Racing The Sun, Sun Quest, Memory of the World about Unesco treasures, End of Coal Civilization for KBS, He is involved in the conjunction of film, VR, and new media 5G-iDear, 360-Naturally Concerts.
Paweł Ulatowski
Polish photographer and documentary filmmaker. As an experienced photojournalist, he has been publishing in both Polish and international publications for over 28 years. He has worked with agencies such as AFP, AP and Reuters, covering the armed conflicts in Iraq (one round) and Afghanistan (two rounds) for the Polish media.
Magda Stępkowska
Experienced producer of documentaries, music videos, concerts and theatre productions. Filmography includes: Racing the Sun, Sun Quest, Mamory of Poland, Lake of Happiness, It just the way it is.
Visual style
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